Since 2009, I've been working with theater and film companies on set design, props design, scenic painting, and art direction. I was an apprentice of the wonderful scenographer Deb O in New York from 2009-2012. In 2012-2013, I worked as the scenic painter for the Amore Opera Company in the East Village. In 2012, I joined Odyssey Works and became involved in building worlds for immersive theater and ARGs ever since. Here's some of the objects I've made, surfaces I've painted, and sets I've decorated. My productions list is available upon request.
Alice
Props for a theatrical production on Victorian medicine by Polybe + Seats.
Set design for Visible, a film by Max Pham.
Dreams in the Witchhouse
Detail of a wall I painted for a crazed mathematician in Dreams in the Witchhouse, a play by Antimatter Collective.
Faux-finished Industrial Ruin
Detail of scenic painting for a wall in Take What is Yours.
Samsara Cartographers
Art direction for a mapmaking office in a scene in Odyssey Works, a play for one person.
Motherboard
Detail of abstract machines I built for the set of Motherboard, a play by Antimatter Collective.
Motherboard
Detail of abstract machines I built for the set of Motherboard, a play by Antimatter Collective.
Motherboard
I made this wall of machines for the play Motherboard by Antimatter Collective.
Three Trees
Detail of my sculptures and set dressing for Three Trees, a play about Giacometti by Pan Asian Repertory Theater.
Three Trees
Detail of a Giacometti-inspired sculpture for a play by Pan Asian Repertory Theater.
Arctic Witches
Detail of a backdrop for a fashion photo shoot I designed for Aileen Abercrombie.
Skull masks, commissioned for the New York Halloween Parade.
The Tower
A bear mask and other props I built for The Tower, a play by Antimatter Collective.
The Feed
Set design for "The Feed" by Ben Berger.
Cardboard Castle
I built this castle out of cardboard for the set for Once and Future by Doug Eacho at the Magic Futurebox.
